SPACEMAN çddf,faa,afa,aaf,faf,ffa,aff ¢ SPACEMAN/LEMON. ³Comments From the studio musician, Andreas Stenhager: ¹ I fell in love with this guy right from the start, because the tune I heard was very different from the others. It was called 'Acid Jazz'(not 'Acid Jazz I'/Diesel) and it was funky indeed. He is the only musician that tries to make jazz without doing it the 'one-sample'-way, and I must admit that he succeed. I received very many tunes from Spaceman, and there is a special touch in all his songs. Velomatrix, Time for loving, Nassum Pelmiti, Bloe Job, the list of nice songs can be made very long. Generally about Spaceman can be said that when he uses good samples, he also puts them to good use. But when he, like in Jordan Jazz, Breath of Air, Acid Jazz 1&2, puts down the samplerate so that he can use more samples, the idea often tends to fail. Spaceman seems to be very experienced, because he often knows how to make simple sequences that he plays again and again without making them boring. Most often in his tunes, there are no especially hard things, but he is aware of that and doesn't try to change it. He does a very straight music, it often sounds as if he's just put some notes together in some minutes, when he'd nothing else to do. But he's good at it and the result is most often very nice. ¶I think that together with Bjorn A Lynne, this is the best melody-maker; many of his melodies go right to your head and stay there. ³Diesel's comment: ¹I love Spaceman. My absolutely favourite! If he's made a song to a demo, I just have to lay my hands on it. What has Spaceman NOT done? Techno (okay it was ass-quality, but anyway), hardrock, trance, funk, ballads... Legalise It 1 is my absolute favourite musicdisk, and even though the follow-up wasn't as good, it contained a lot of nice bonus-songs that I liked very much. I can make a list of favourite tunes that is VERY long, but I won't waste your time with it. I'm longing for the day when I have Legalise it 3 in my hands!!